Minimal Pop
Traywick Gallery, Berkeley, California April 15 - May 14, 2000
untitled (rothko painting)
60" x 48" x 2"; cotton, fake fur, felt and thread, wood
stretcher bars; 1999
Untitled (rothko painting), with it's shimmering
colors and loaded materials, mines the color fields of
rothko and the associations inherent in minimalism and
POP. This piece crosses disciplines. Evoking a
painting without using paint, minimalism without being
hard-edged and POP without using consumerist brand
name items.
The rothko drawings (#1-21) draw upon the idea of
rothko's transcendent square/doorway that figures so prominently in his
extensive body of work. Rothko was one of the first to try out alternative
materials - testing out acrylics that had just entered the marketplace.
In these drawings - I utilize the magical properties infused in office
supplies. They are our saviours re: list-making and time efficiency
in a more and more clogged society. Here the lowly
post-its, instead of reminding a worker about a
"banal" meeting or deadline, shoots for the sublime.
Using the strategies of minimalism and POP - these
simple multilayered works ride in THE juncture of
minimalism and POP where the combinations of the
materials and the form with the format create the
meaning.
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