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being green catalyst divine bovines pinned needles and pins stirred not shaken obsession/ minimal pop swell / snacks cloaked exhibition listing

obsession

Southern Exposure, San Francisco, California
November 17 - December 16, 1995

obsession installation obsession detail obsession hoop

5' x 5'; 99 hoop installation; 4" embroidery hoops detailing various obsessions using beads, chiffons, foam, glue, glitter, etc... exhibited at southern exposure at their juried exhibition of the same name; 1995

Minimal Pop

Traywick Gallery, Berkeley, California
April 15 - May 14, 2000

untitled (rothko painting)

60" x 48" x 2"; cotton, fake fur, felt and thread, wood stretcher bars; 1999

Untitled (rothko painting), with it's shimmering colors and loaded materials, mines the color fields of rothko and the associations inherent in minimalism and POP. This piece crosses disciplines. Evoking a painting without using paint, minimalism without being hard-edged and POP without using consumerist brand name items.

The rothko drawings (#1-21) draw upon the idea of rothko's transcendent square/doorway that figures so prominently in his extensive body of work. Rothko was one of the first to try out alternative materials - testing out acrylics that had just entered the marketplace. In these drawings - I utilize the magical properties infused in office supplies. They are our saviours re: list-making and time efficiency in a more and more clogged society. Here the lowly post-its, instead of reminding a worker about a "banal" meeting or deadline, shoots for the sublime.

Using the strategies of minimalism and POP - these simple multilayered works ride in THE juncture of minimalism and POP where the combinations of the materials and the form with the format create the meaning.

untitled (rothko painting)